Kualitas Pentatahan Relief Di Kompleks Candi Prambanan | Berkala Arkeologi

Kualitas Pentatahan Relief Di Kompleks Candi Prambanan

Authors

  • Hari Lelono
DOI     10.30883/jba.v16i2.753

Keywords:

sculpting technique, meaning, technology, prambanan, hindu-buddha

Abstract

Is there a relationship between the sculpting technique and the theme of the story? As is known in the Ciwa and Brahma Temples (the Ramayana story) tells the journey of a noble or king, so it requires complete accessories. On the other hand, in the Vishnu temple, Kresnayana's story tells of Kresna's "life journey" as a "human being" who socializes a lot with the lower community. In terms of the quality of the order, the sequence is as follows: First Ciwa Temple, Second Brahma Temple, and the third Vishnu Temple. Because it is a continuation of the Ramayana story, the Brahma Temple is one level better than that of Vishnu Temple.

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References

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Lelono, Hari. T.M.1995/96, Penelitian Pakaian dan Organisasi Sosial Pada Masa Klasik (tahap II), Laporan Hasil Penelitian Arkeologi. Balai Arkeologi Yogyakarta.

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Kempers, Bernet 1959, Ancient Indonesian Art C.P.A.J. van der Peet. Amsterdam.

Koesnoen. A, 1971, Candi Prambanan Dan Candi-Candi Sekltamya, Sumur, Bandung.

Published

1996-11-30

How to Cite

Lelono, H. (1996). Kualitas Pentatahan Relief Di Kompleks Candi Prambanan. Berkala Arkeologi, 16(2), 50–61. https://doi.org/10.30883/jba.v16i2.753

Issue

Section

Articles